It's hard to write too much about short stories, especially ones where half the experience is visual.
Each romance is strongly defined, each character is someone you can root for, each character dynamic is compelling and unique.
A shout-out to "What Was Left," previously published as a stand-alone comic, for literally bringing tears to my eyes with such a dreamy, romantic concept turned to tragedy, then acceptance, then hope. There's also just enough left unsaid that you can't help but let your imagination stretch out to what the rest of the world might entail - particularly so with the open-ended nature of the final story. The pacing is great, with the particulars of each setting slowly unfolded in a way that doesn't leave the reader drowning in exposition. The stories themselves are simple, yet well-told. Machinery and florals alike are depicted with tons of intricate detail, making each page a work of art in its own right. The art style is soft and easy on the eyes, but with tons of visual interest as the creator quite literally draws us into three otherworldly settings. Each story is coloured in a different pastel shade and emphasised with well-chosen line weights and deep blue, almost black shading. I pledged for this particular version in Valero-O'Connell's recent Kickstarter and I could not be happier with such a gorgeous quality book.Īrt-wise, the book is so beautiful. This graphic novel is a delightful triptych of stories, all queer, all exploring themes of love and loss in various sci-fi/fantasy settings. A giant prophesised to wake from its centuries-long slumber beneath the sea." A ship that runs on memories malfunctions in the dead of space. "Two lovers get separated on a night out in a parallel dimension.
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